THE
AVE MARIA IN ART AND LETTERS
On
25 March, a gestation term before Christmas day, the Catholic Church celebrates
the annunciation to the Blessed Virgin Mary of the incarnation of her divine
Son.
In
the words of St Luke, Mary was greeted by the Archangel Gabriel in the words:
“Hail, full of grace, the Lord is with thee.”
In Latin the words translate to “Ave, gratia plena”. Early Christians added the names of Jesus and
Mary to the greeting in which they added the salutation of her pregnant elderly
cousin Elizabeth: “Blessed art Thou among women and blessed is the Fruit of Thy
womb.” The greeting is concluded in the words: “Holy Mary, Mother of God, pray
for us sinners now and at the hour of our death. Amen.”
For
centuries the Ave Maria formed part of the Christian’s daily prayer. We find Chaucer early in the second
millennium informing that heavenly favours are available by the simple
expedient of the recitation of an “Ave Marie or tweye” (a couple of Hail
Marys). In Life magazine’s Christmas edition in 1995, Robert Sullivan estimated
the number of Hail Marys recited daily at two billion (a billion or tweye) –
although, of course, no scientific way of quantifying prayer exists, as many of
our prayers are sent up in private.
The
cult of the Blessed Virgin may now be entering a hitherto unsuspected
dimension. On 20 December 2003 “The Economist” traced alleged links in the veneration
of Mary between Judaism, Christianity and Islam. In the 20 December 2003 the writer named the thousands of lines of “subtle and expressive religious poetry
addressed to Mary, the Mother of Jesus” as one of the great cultural
achievements of the Christian era.
England was no exception. In
Anglo-Saxon or Old English, spoken in England from about 700 AD until about the
first century of the second millennium, we find references to Mary in the
so-called Christ poems, ascribed to the pen of Cynewulf, a ninth-century writer
probably resident in Mercia, the West-Midland of England of the early ninth
century.
In
Christ I – the Advent Lyrics a description of Mary’s virginity is given in the
following lines, as heart-stirring as they are simple:
The woman was young,
A virgin free from sin,
Whom he chose to be his mother
It came to pass without man’s embrace
So that for the sake of the child’s
birth the bride became pregnant.
No woman’s reward, before nor since in
the world, occurred in this way
It was kept secret. God’s mystery.
Paintings of the Annunciation abound,
particularly in the works of the old masters.
One widely known one housed in Florence’s Uffizi Gallery is Sandro
Botticelli’s masterpiece painted in 1489 and 1490. It shows the Blessed Virgin kneeling beside a
wooden lectern. She appears to be
looking inward rather than outward, her hands at once beckoning and resisting
Gabriel who kneels before her, a huge St Joseph’s lily in his hand. The angel has wings which could belong to him
or perhaps symbolise a hovering Holy Spirit, awaiting Mary’s fiat: “Behold the
handmaid of the Lord. Let it be done
unto me according to thy word.” (Lk 1:38).
The Irish-born
playwright Oscar Wilde (1854-1900) could have been referring to
the Botticelli picture when he concluded his poem “Ave Maria, gratia
plena” in these words:
“With
wondering eyes and heart I stand
before
this supreme mystery of Love:
some
kneeling girl with passionless pale face,
an
angel with a lily in his hand,
and
over both the white wings of a Dove.
In medieval poetry which teems with
poetry about the mystery of the Annunciation we often encounter the Eva-Ave
theme. Eve (Latin: Eva), the earth
mother and Adam broke faith with God.
Their innocence was reclaimed by the immaculate Virgin Mary and her
Divine Son, the Lord Jesus Christ.
During the Reformation the Douai-trained Jesuit priest Robert Southwell
(1561-1595) who during the reign of Queen Elizabeth I was beheaded in the Tower
of London for his Catholic faith, wrote:
Spell
Eva back and Ave shall you find
The
first began, the last reversed our harms
An
Angel’s witching words did Eva blind
An
Angel’s Ave disenchants the charms
Death
first by woman’s weakness entered in
In
woman’s virtue life does now begin.
Using the same inspiration The born
Catholic turned Anglican priest and metaphysical poet John Donne (1573-1631)
calls Mary “Thy Maker’s maker and thy Father’s mother”. A fellow metaphysical poet, the Protestant
George Herbert, wrote the heart-stopping “Ana-(Mary/Army)gram,” which consists
of only two lines.
How
well her name an Army doth present
In
whom the Lord of Hosts did pitch his tent.
With the rise of the Oxford Movement in
the nineteenth century, the composition of English Marian poetry which had
abounded before the Reformation began to come back into its own. Gerald Manley Hopkins (1844-1889), an
Anglican turned Catholic priest is arguably the major exponent of Marian poetry
during this century, although his works were only introduced to the public at
large after the start of the twentieth century.
He took his inspiration from medieval religious lyrics, resuscitating
sprung rhythm, a poetic conceit last used in the work “Piers Plowman” in the
fourteenth century. In his organic
poetry he compares the Blessed Virgin “to the air we breathe”, saying:
She, wild web, wondrous robe
Mantles the guilty globe,
Since God has let dispense
Her prayers his providence:
Nay, more than almoner,
The sweet alms’ self is her
And men are meant to share
Her life as life is air.”
The sheer volume of Annunciation art
and poetry is a sign that though it passes without pomp and circumstance, the
annual feast of the Annunciation represents a landmark in the faith of all Christians. It marks the day when Mary was requested to
allow herself to be used as a bridge between God and the human race. In reply to Gabriel’s invitation she joyfully
proclaimed: “Behold the handmaid of the Lord.
Let it be it done unto me according to thy word.”
It is Mary’s joyous obedience to God’s
redemptive plan which is the reason why
Christians throughout the ages have turned to her in good times and in
bad for intercession with the Lord. And
as in Chaucer’s time and in the ten centuries before it we still do so using
the prayer beginning with the Angelic salutation: “Hail Mary, full of grace,
the Lord is with thee.”
Image with thanks to Freepik AI generated content by CN Whittle