Luky;
On March 25, a gestation before Christmas Day, many Christians celebrate the Annunciation to the Blessed Mary of Nazareth, the incarnation of her Divine Son.
In the words of St. Luke, Mary was greeted by the Archangel Gabriel with the words, 'Hail, full of grace, the Lord is with thee.' In Latin the words translate to 'Ave, gratia plena'. Early Christians added the names of Jesus and Mary to the greeting in which they added the salutation of her preganant cousin Elizabeth: 'Blessed art thou among women and blessed is the fruit of thy womb.' The greeting is concluded with the words; 'Holy Mary, mother of God, pray for us sinners now and at the hour of our death, Amen.'
For centuries the Ave Maria formed part of the Christian's daily prayer. We find Chaucer early in the second millenium referring to the 'Ave Marie or tweye' (a couple of Hail Mary's). Millions of pilgrims of all faiths visit Marian apparitional sites such as Lourdes, Fatima and Guadaloupe annually. The understanding of Mary of Nazareth, the mother of Jesus Christ, may now be entering a hitherto unsuspected dimension. On December 20, 2003,
The Economist traced alleged links in the veneration of Mary between Judaism, Christianity and Islam.
In the
Economist article, the writer named the thousands of lines of 'subtle and expressive religious poetry addressed to Mary, the Mother of Jesus,' as one of the great cultural achievements of the Christian era. England was no exception. In Anglo-Saxon or Old English, spoken in England from about 700 AD to about the first century of the second millenium, we find references to Mary in the so-called Christ-poems, ascribed to the pen of Cynewulf, a 9th century writer probably resident in Mercia, the West-Midland.
In one of these poems a description of Mary's virginity is given in the following lines, as heart-stirring as they are simple;
The woman was young. A virgin
free from sin., Whom he chose to
be his mother. It came to pass
without man's embrace So that for
the sake of the child's birth the
bride became pregnant. No
women's reward, before nor since
in the world, occurred in this way.
It was kept secret. God's mystery.
Paintings of the Annunciation abound, particularly in the works of the old masters. One widely known one, housed in Florence's Uffizi Gallery, is Sandro Botticelli's masterpiece painted in 1489 and 1490. It shows the Blessed Virgin kneeling beside a wooden lectern. She apears to be looking inward rather than outward, her hands at once beckoning and resisting Gabriel who kneels before her, a hugs St. Joseph's lily in his hand. The angel has wings which could belong to him or perhaps symbolise a hovering Holy Spirit, awaiting Mary's fiat: 'Behold the handmaid of the Lord, Let it be done unto me according to thy word,' ILuke 1;38).
Famous in Victorian times, the Irish-born playwright Oscar Wilde (1858-1900) could have been referring to the Botticelli picture when he concluded his poem
Ave Maria, gratia plena with these words:
With wondering eye and heart I
stand before this supreme mystery
of Love: some kneeling girl with
passionless pale face, an angel
with a lily in his hand, and over
both the white wings of a Dove.
In medieval poetry which teems with the mystery of the Annunciation we often encounter the Eve-Ave theme. Eve (Latin: Eva), the earth mother, and Adam broke faith with God. Their innocence was reclaimed by Mary of Nazareth and her Son, Jesus Christ. During the Reformation the Douai-trained Robert Southwell (1561-1595) wrote;
Spell Eva back and Ave shall you
find
Using the same inspiration the metaphysical poet John Donne (1573-1631) calls Mary 'Thy Maker's maker and thy Father's mother.' A fellow metaphysical poet, George Herbert; wrote;
How well her name an Army doth
present, in whom the Lord of hosts
did pitch his tent.
With the rise of the Oxford Movement in the 19th century, the composition of the English Marian poetry began to come back into its own. Gerard Manley Hopkins (188401889) is arguably the major exponent of Marian poetry during this century, although his works were only introduced to the public at large after the start of the twentieth century. He took his inspiration from the medieval religious lyrics, resuscitating sprung rhythm, a poetic conceit last used in
Piers Plowman in the 14th century. In his organic poetry he compares the Blessed Virgin 'to the air we breathe', saying;
She, wild web, a wondrous robe,
Mantles the guilty globe, Since
God has let dispense Her prayer
his providence: Nay, more than
almoner, the sweet alms' self is
her And men are meant to share
her life as life is air'
The sheer volume of Annunciation art and poetry is a sign that though it passes without pomp and circumstance, the annual feast of the Annunciation represents a landmark in the faith of all Christians.
It marks the day when Mary was requested to allow herself to be used as bridge between God and the human race. In reply to Gabriel's invitation she joyfully proclaimed: 'Behold the handmaid of the Lord.
Let it be done to me according to Thy word.'
It is Mary's joyous obedience to God's redemptive plan which is the reason why Christians throughout the ages have turned to her in good times and in bad, asking her to speak to Jesus her Son to ask us for help.
And as in Chaucer's time and in the ten centuries before it we still do so using the prayer beginning with the angelic salutation: 'Hail Mary, full of grace, the Lord is with thee.'
Catherine Nicolette;
When I was twenty years old, I made a pilgrimage to the Holy Land, Israel. Coming from a totally Christian background in South Africa, I received deep witness in Nazareth where the Annunciation is remembered. The beautiful religious memorial site there is at the site of a well. Since getting water was a main part of the workday of women in past centuries, many legends have placed Mary of Nazareth's meeting with the Angel Gabriel near a well. Egeria the pilgrim, as well as Paula and Jerome visited Nazareth in previous centuries.
When my friends from Welkom and I entered the memorial site, we found ourselves the only five Christians present. Many women stood around, devoutly praying and murmuring prayers to God, remembering the wonderful Mary of Nazareth who made Jesus' incarnation possible to our human race. Each and every one of those devout women were of the Islam faith. I stood round eyed at the depth of spiritual devotion and prayer each woman showed as they reached out to God for assistance in their personal lives at that time. I learned after seeing the wonderful witness of the prayerful lives of the women that the Qu'ran, the sacred texts of Islam, mention Mary of Nazareth over thirty times. Submission to God's Will is central to the Islam faith, and Mary is the paragon of such obedience. The Qu'ran further tells of Zechariah and Elizabeth.
I came to Nazareth that day as a young woman from Africa seeking to find God's Will in my life, and to obey it - I left at the end of the day a woman who had been witnessed to by other women who were following God's Will in their lives. And I have never left seeking to follow God's Will every day, having been enriched by the wonderful example of prayer and devotion of those wonderful women of Islam.
*Photograph taken in Switzerland by Rev. Catherine. Please feel free to use picture copyright free for any educational or spiritual purpose.